配色-水果静物Still Life with Fruit

作者：Morandi color system Giorgio Morandi

作品名称：Still Life with Fruit

中文名称：水果静物

创作时间：1927 年

画作尺寸：27 x 38.5 cm

绘画类型：静物油画

流派：自成一派

题材：静物画

Related introduction:

For an artist who is often discussed in relation to the singular world he created, untouched by anything other than his own obsessive preoccupation with the domestic objects he looked at every day, placing Morandi among the Old Master artists who influenced him creates an interesting context. The show is organised by gallery, with each of the three rooms exploring artists with whom Morandi was coming into contact – through books and periodicals, mainly. The first room focuses on Spanish Golden Age heavyweights Diego Velázquez, El Greco and Francisco de Zurbarán, who were being rediscovered in Italy in the early 20th century. Morandi was interested in small details: for instance, he was completely swayed by the way in which El Greco painted flowers. His own early compositions, a handful of which included vases of flowers, appear expressionistic. Flowers (Fiori) from 1915, the earliest painting by Morandi on display, is almost cartoonish. In the adjacent groups of table objects from 1920 and 21, a more traditional still life structure is visible – four solemn vessels lined up in a row, bathed in darkness.

Machine translation:

For an artist who is often discussed in connection with the bizarre world he has created, without any influence other than his own obsession with the household objects he looks at every day, placing Morandi among the Old Master artists who influenced him creates an interesting backdrop. The exhibition is organised by the gallery and each of the three rooms explores the artists with whom Morandi came into contact - mainly through books and journals. The first room focuses on the heavyweights of the Spanish Golden Age Diego Velázquez, El Greco and Francisco de Zurbarán, who were rediscovered in Italy at the beginning of the 20th century. Morandi is interested in small details: for example, he was completely struck by the way Greco painted flowers. His own early works, some of which include vases, appear expressionist. Flowers (Fiori) from 1915, the earliest of Morandi's paintings on display, is almost cartoonish. In the adjacent group of table objects from 1920 and 21, a more traditional still-life structure - four stately vessels lined up in a row, bathed in darkness - can be seen.