配色-静物Still life

作者：Morandi color system Giorgio Morandi

作品名称：Still life

中文名称：静物

创作时间：1936 年

画作尺寸：33x37 cm

绘画类型：静物油画

流派：自成一派

题材：静物画

Related introduction:

Magnani was a young man when he met, almost by chance, the painter Giorgio Morandi. The separation between these two intellectuals, both reserved and inclined to isolation, was instant.

Morandi's loneliness is clearly visible in his Self-portrait dated 1925, of Cezannian matrix, a very particular painting for an artist who has decided to cancel the human essence in his paintings. The painter poses with his working tools in his hand, his look communicates a calm confidence, a total absence of drama.

Magnani and Morandi developed a very intimate friendship, supported by a special shared creative of harmony, harmony and commonality of thoughts. This friendship meant that Mamiano's Villa was embellished with many of Morandi's works, and Magnani's predilection for this artist can be identified in their similarity: a common meditation on forms and volumes, a that symbolizes their total commitment to art.

Machine translation:

When Magnani was a young man, he met the painter Giorgio Morandi almost by chance. The spark between these two lonely intellectuals, who were both introverted and easily isolated, was instantaneous.

Morandi's solitude is clearly visible in his 1925 self-portrait, which originated with Cézanne. It is a very special painting for an artist who decided to remove the essence of human nature from his paintings. The painter poses with the tools of his work in hand, and his gaze conveys a calm certainty, completely free of drama.

Magnani and Morandi developed a very close friendship, sustained by a special shared creative affinity that included restraint, simplicity, and a community of ideas. This friendship meant that Villa Mamiano was adorned by many of Morandi's works, and Magnani's preference for the artist can be seen in their similarities: a shared meditation on shape and volume, a solitude that symbolized their total devotion to art.