配色-蒙热鲁尔的弯路Turning Road at Montgeroult
简介:《蒙热鲁尔的弯路Turning Road at Montgeroult》的配色图,配色百分比和色值,本作品是画家Paul Cezanne于1899 年创作的一幅油彩,画布绘画作品。
配色数据:颜色百分比+色值 (配色基于AI视觉算法生成,点此反馈)
色环分布:小圆圈可选、可移动 ( 常用色环配色法→ )
作品名称:Turning Road at Montgeroult
中文名称:蒙热鲁尔的弯路
创作时间:1899 年
画作尺寸:65x52 cm
绘画类型:油彩,画布
流派:立体主义
题材:风景画
收藏于:现代艺术博物馆
Paul Cézanne Paul zanne1899Finalperiod
Cezanne lived in his hometown of Aix during his later years. During this time, the painter worked in many places, and this work was the last work of the painter during his stay in the small village of Montegelur. For the depiction of landscapes, Cezanne has always maintained the valuable experience gained from Impressionism: Landscapes can never be painted as well in the studio as outdoors. He also believes that when the scene is presented outdoors, the contrast between the characters and the ground is astounding, and the landscape is spectacular. In this painting, the artist depicted hillsides, houses, bends, and plants from a direct observation point of view. He used ochre to represent the geometric walls of the building, and blue to outline the outline. This bold color combination makes the house stand out from the loose leaves around it, becoming the focal element that strikes the viewer's visual cells. The path of the same color curves down the mountain, guiding the viewer's line of sight to move with it, and is finally covered by the green plants in the foreground. However, the plants that give people a lush feeling are not composed of pure green or similar colors, but are composed of a variety of contrasting colors, which are ultimately endowed by Cezanne with a subtle sense of harmony and balance.
晚年的塞尚虽并不强调作品的立体、透视等素描基础效果,但强有力的轮廓线仍然给人以几何体的感觉。
从植物的描绘中可以看出,画家既保留了印象派粗犷而直接的用笔方式,又融入了个人化的平行、倾斜的笔触特点。
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