配色-Cave 130 of Mogao Grottoes in Dunhuang, travel map of the governor's wife, prosperous Tang Dynasty
简介:《Cave 130 of Mogao Grottoes in Dunhuang, travel map of the governor's wife, prosperous Tang Dynasty》的配色图,配色百分比和色值。
配色数据:颜色百分比+色值 (配色基于AI视觉算法生成,点此反馈,我们将进行人工校正)
配色系列:Dunhuang color system Dun-Huang
作品名称:Cave 130 of Mogao Grottoes in Dunhuang, travel map of the governor's wife, prosperous Tang Dynasty
创作时间:约 756 年
绘画类型:壁画(复原图)
流派:自成一派
题材:风俗画
收藏于:敦煌莫高窟
The 130th Cave South Wall, Tang Dynasty (712-781). This painting is on the south wall of the 130th Cave Corridor. It was originally covered by the Western Xia murals. In the early 1940s, it was peeled off from the Western Xia murals by the good people. Due to the long-term severe erosion of the quicksand and moisture, not only the color faded and peeled off, but also the staff was separated from the rock surface, resulting in serious damage to the mural.
The painting is the largest of the portraits of dependents in the Tang Dynasty, with a total of 12 people. The first three are the masters, and the last nine are the slaves. The first three have a list question. The first body has the largest image. The title of the first body is "The Duduke's wife Taiyuan Wang's whole heart supports"; the second body has a smaller image. The title of the ink book is "Female Eleven Niang Supports"; the third body has a smaller image. The title of the ink book is "Female Thirteen Niang Supports". The list book has already specified that the latter two bodies are the daughters of the Duduke's wife.
This painting is realistic in shape and full of life. Both the owner and the slaves have the characteristics of "Yang Guifei-type" with "curved eyebrows and cheeks" and "rich muscles and greasy body", but everyone's expression is different. The owner is graceful and luxurious, holding an incense burner or flowers in his hands, clasping his palms to salute, showing respect and piety. Some slaves hold the piano, some hold water bottles, some look ahead without caring, some look like a flower fan, leisurely, and some look back and whisper eagerly, which is quite different from the owner's mood. It has created a vivid image, vivid character and vigorous beauty of the Tang Dynasty.
说明:壁画原画褪色严重,不能很好地反馈真实色彩,因此采用敦煌壁画专家的复原图进行配色。版权归原作者所有,仅供学习交流。
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