配色-水果静物Still Life with Fruit (Natura morta con frutta)

简介:《水果静物Still Life with Fruit (Natura morta con frutta)》的配色图,配色百分比和色值,本作品是画家莫兰迪色系于1927 年创作的一幅静物油画绘画作品。

Still Life with Fruit (Natura morta con frutta) 水果静物

配色数据:颜色百分比+色值 (配色基于AI视觉算法生成,点此反馈

  占比:30.9%,色值:#3C3C42
  占比:28.8%,色值:#7B685E
  占比:19.3%,色值:#615E67
  占比:12.5%,色值:#A99583
  占比:8.5%,色值:#2C3953

色环分布:小圆圈可选、可移动 ( 常用色环配色法→ )

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    作者:莫兰迪色系 Giorgio Morandi

    作品名称:Still Life with Fruit (Natura morta con frutta)

    中文名称:水果静物

    创作时间:1927 年

    画作尺寸:27 x 38.5 cm

    绘画类型:静物油画

    流派:自成一派

    题材:静物画

    相关介绍:

    For an artist who is often discussed in relation to the singular world he created, untouched by anything other than his own obsessive preoccupation with the domestic objects he looked at every day, placing Morandi among the Old Master artists who influenced him creates an interesting context. The show is organised by gallery, with each of the three rooms exploring artists with whom Morandi was coming into contact – through books and periodicals, mainly. The first room focuses on Spanish Golden Age heavyweights Diego Velázquez, El Greco and Francisco de Zurbarán, who were being rediscovered in Italy in the early 20th century. Morandi was interested in small details: for instance, he was completely swayed by the way in which El Greco painted flowers. His own early compositions, a handful of which included vases of flowers, appear expressionistic. Flowers (Fiori) from 1915, the earliest painting by Morandi on display, is almost cartoonish. In the adjacent groups of table objects from 1920 and 21, a more traditional still life structure is visible – four solemn vessels lined up in a row, bathed in darkness.

    机器翻译:

    对于一个经常被讨论到与他所创造的奇异世界相关的艺术家来说,除了他自己对他每天所看的家居用品的痴迷之外,没有任何其他影响,将莫兰迪置于影响他的古典大师艺术家之列创造了一个有趣的背景。该展览由画廊组织,三个房间中的每一个都在探索莫兰迪与之接触的艺术家——主要是通过书籍和期刊。第一个房间聚焦于西班牙黄金时代的重量级人物 Diego Velázquez、El Greco 和 Francisco de Zurbarán,他们于 20 世纪初在意大利被重新发现。莫兰迪对小细节很感兴趣:例如,他完全被格列柯画花的方式所打动。他自己的早期作品,其中一些包括花瓶,显得表现主义。1915 年的 Flowers (Fiori) 是展出的莫兰迪最早的画作,几乎是卡通风格的。在相邻的 1920 年和 21 年的桌上物件组中,可以看到一个更传统的静物结构——四个庄严的容器排成一排,沐浴在黑暗中。

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